You know how five-year-old kiddos struggle to fall asleep the night before their birthday? WELL, THAT’S ME RIGHT NOW! Our Insta-Party (ahem, Instagram Challenge) is almost ready to go -- we’re adding a few last minute accoutrements to make it #FLAWLESS. I’m honored-slash-tickled-silly to share this Challenge with you, because I am 102938029% confident you’ll swivel away from it with at least 3 new tangible strategies you can apply in your business IN JUST ONE WEEK. You’ll walk away with the following gluten-free treats in your swag bag:
Show up and learn how to create content SO FLIPPIN’ REAL -- you’ll naturally build your own li’l corner of the interwebs with a community that loves you for you, boo. (And, loves to buy from you, too!) So come Tuesday, September 12th, I want you to… Close the 20 kajillion tabs you have open… Bribe your babies/fur-babies/spouse with snacks… And treat yo’self to a fresh cuppa jo every morning as you read an email Instassignment sent from yours truly at 7am for one week. You can snag your seat in the Instagram Challenge right >>HERE<<…I’ll see you there! Let the countdown BEGIN! via RSSMix.com Mix ID 8230553 http://ift.tt/2eV6BgB
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Announced today by Profoto comes the Profoto Air Remote TTL-F, bringing High-Speed Sync and TTL capabilities to FujiFilm systems for the Profoto B1/B1X, Profoto B2, Profoto D2 and Profoto Pro-10 packs. The Profoto Air Remote TTL-F is just another iteration of the Air Remote, which already has Canon, Nikon, Sony and Olympus variants. With the announcement of the Air Remote TTL-F, one would assume that the collection is complete, as FujiFilm appears to be last in line for the new remotes. The small Air Remote attached to the hot shoe and gives you full control over your lights for the Profoto B1/B1X, Profoto B2, Profoto D2 and Profoto Pro-10 packs. While one would hope that someday we’d have one remote to rule them all, and usable on all camera systems, the only solution for TTL and HSS on Profoto lighting comes in these varied remotes available for different camera models. Like the previous models, The Air Remote offers 1,000ft of wireless transmitting on 8 different channels, with the ability to fully adjust power on 3 different groups. The Profoto Air Remote TTL-F works on all modern FujiFilm camera systems and is expected to be released at the end of 2017. via RSSMix.com Mix ID 8230553 http://ift.tt/2eOpEtg Being an artist is terrifying. Especially in a medium like photography, where so much depends on the slightest angle or editing touch, it’s not uncommon for aspiring creators to feel as if they’re blundering around in the dark, tunneling away from the work they dreamed they’d be doing. Those stumbles are also usually haunted by knowing that it’s a small, competitive field, and not everyone—in fact, very few—are going to “make it.” A new video, The Photographer’s Struggle/Creating In Spite of Fear, confronts that uncomfortable truth head on. In a swift montage, a series of established photographers reflect on their own moments of doubt and fear on the road to success. One man recalls sitting in a photo class where students were asked to tell a story with one roll of film. As he watched his classmates’ images go up on the board, he collapsed inwardly. “I was like ‘oh my god, what have I gotten myself into,'” he said. “These people are so talented.” That man is Tim Tadder, currently the most followed photographer on Behance.
In a following snippet, Erik Almås, a former DJ and now one of the top commercial photographers on Luhrzers, admits, “At times I’d look at my work and be like ‘Damn I’m a shitty photographer, fuck. It’s nothing.” Just like that, the armor comes off. The trailer, which teases a series of podcast-interviews that the photo-education studio RGG EDU has been rolling out over the past month, shows several successful creatives discuss how they got to where they are in bluntly honest terms. Often, it comes down to passion—and sacrifice. “I was cater-waitering,” said Chris Knight, an established photographer who now teaches at the NY Film Academy. “I’d work till 11 or 12 at night, then retouch until 3 or 4 in the morning. Even though I didn’t really have the talent, I’d be willing to work when other people were asleep.” The actual interviews, of which there are four--Almås, Michael Eastman, Ben Von Wong, and Chris Knight & Lindsay Adler—provide fascinating insights into several distinct creative approaches, as well as the convulsive recent evolutions of photography as an industry. While swilling whiskey (or water) at a table with hosts Gary Martin and Rob Grimm, the guests open up about both their come-ups and their daily grind. As the interviews are each around an hour or more, they have time to get specific about the minutia of their craft and trade.
“My life is a little bit like an emergency room, right,” Almås tells Grimm and Martin in his interview. “Where the stuff that needs to happen now gets done, and whatever that doesn’t need to happen right now gets put on the back-burner. You try to catch up. You do what’s most important and meet your deadlines and that goes out, and then you take care of all the other stuff afterwards.” Aside from work-life balance (Almås recently got married, moved, and is expecting a baby), Almås discusses the merits of having an agent versus the trend of getting more work off of social media. At one point he recalls an art director who sought him out for a big job because he’d encountered his work on Behance. “That has nothing to do with an agent. That has to do with me and my assistant putting work up that’s intriguing enough for someone to find it, and connect with it, and hire us,” Almås said. “That chain is very different than an agent going out to sell me.”
As Almås says, “The market is changing. We all know that, but no one knows where it’s going to go.” While veteran photographer Michael Eastman isn’t thrilled with every aspect of the internet revolution in photography, he thinks it helps photographers outside buzzing cities like New York get attention for their work—and steer clear of the buzz culture and constant bombardment by other people’s work that can get in the way of discovering one’s own voice. “You don’t want it to get in the way of you finding your vision,” Eastman said in his interview. “And then once you have a vision, whatever you do–whether you do a nude, whether you do a wall, you’re going to go through that part of you that makes images.”
“It took me years to figure that out,” Eastman reflected. “That’s one thing about teaching yourself: you do reinvent the wheel. It wobbles funny until it works its way through, but it’s good to do that. It’s good to start at the beginning and see what worked there and what didn’t work there.” Check out RGG EDU’s latest photography tutorials and sales! via RSSMix.com Mix ID 8230553 http://ift.tt/2gK7ENB
Last week we asked to see your conceptual photography images. Conceptual imagery is basically the manipulation of images. The image will often seem unreal, be it an illustration of a story, a dramatic moment or even something very simple – conceptual photography should always bring a smile to your face, a good conceptual portrait should never leave you indifferent.
#FridayFoto this week comes to us from Michelle Wright!
Here’s what Julie had to say about Michelle’s image:
Andrea Hamman
Anya Foust Hone
Carrin Lewis
Elizabeth Hall
Hayley Hay
Kelly Ratcliffe
Leanne Munro
Lisa Friday
Lynne Grant
Melisa Blevins
Melissa Macdonald
Michael Carver
Sabrina StLaurent MacDougall
Pop by and request to join – you’ll love it! The post Conceptual Photography – A selection of images from our #ThursdayTheme appeared first on Tea Break Tog. via RSSMix.com Mix ID 8230553 http://ift.tt/2gGhm3e On Monday evening a photographer from New Carlisle News, a small Ohio news organization, was shot by a deputy officer while taking photos of lightning. According to the publication, the photographer, Andy Grimm, had left the office around 10 p.m. when he came across a traffic stop. “I was going out to take pictures and I saw the traffic stop and I thought, ‘hey, cool. I’ll get some pictures here,'” Grimm told New Carlisle News.
Although Grimm was not the subject of the stop, Sheriff’s Deputy Jake Shaw seemingly mistook his camera and tripod for a weapon. Shaw then opened fire without warning, shooting Grimm in the side, he said. “I turned around toward the cars and then ‘pop, pop’…I was just doing my job.” Grimm also said that he personally knows Shaw and doesn’t want him to lose his job over this incident. So far, social media has shown overwhelming support for Grimm and Attorney General’s BCI division is investigating the incident. As much as this seems like an honest, unforeseeable mistake it’s important to note that it’s crucial for photographers to be aware of their surroundings at all times. Whether you’re traversing city streets with your camera or photographing a traffic stop for a news organization, unfortunate happenings can occur, and photographers—especially those who shoot news—should brace for the unexpected. [via New Carlisle News, featured image via Flickr]
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Filmsupply Presents recently released its third installment, “Make Them Believe,” a 14-minute documentary short from Brooklyn-based director Taimi Arvidson that uncovers a week in the life of a young Russian man, Timofey Maltser, who dreams of becoming a pro-wrestler. Maltser describes himself as a “really average guy:” “I’m a student. I live in a dorm. I have a girlfriend,” he said in the doc. But once a month, he enters one of Moscow’s underground wrestling rings and fights as the character The American Hope—and this week, he’s up against hardened veteran, The Locomotive, known for breaking his opponents’ bones. Given that it takes place in Russia, The American Hope is always cast as the villain, one of the cross-cultural twists that make this short so compelling. American pro-wrestling first gained popularity in Russia with the influx of American television after the Soviet Union dissolved in the early 1990s, and even today isn’t considered mainstream. “I remember watching the WWF on an old cassette…I had never seen anything like that,” Maltser said. As a childhood fanatic of pro-wrestling, his idol was World Wrestling Federation strongman Bill Goldberg. “When I was a kid, he seemed superhuman. My father told me it wasn’t real—I didn’t believe him. When I was a kid, I wanted to be badass like that.” Arvidson has chosen her subjects well—Maltser’s quiet charm, and his lucid view of himself and his obscure subculture, lends the film its central gravity. Despite the usual dramatic tension of a “big fight” situation, the film’s editing style can at times seem a little chaotic, paced to a frenetic rhythm that sometimes saps crucial moments of the juicy suspense they might otherwise have held. However, it’s important to remember that the film is documentary short, one that manages to showcase an abundance of information in just 14 minutes. And yet, the transience of that suspense might be the point—after all, there is a point after the fight, as Maltser nurses a dislocated shoulder and is suddenly being advised by Ivan Markov, The Locomotive himself, in a moment that casually tears away the thin veil of manufactured conflict that’d been so crucial to the drama of their performance. “Wrestling is about fantasy,” Maltser remarks. “You transform into a different person.” A revealing interview with Markov and his girlfriend at home also attests to that allure, as Markov admits he has a law degree and once held a job as a practicing attorney, but left it all behind to pursue wrestling. “I get my high from it,” Markov admits, later adding, “I don’t think I can live any other way now.” Ultimately, the film’s small flaws don’t detract in any meaningful way from the characters, and the dynamic scoring and cinematography work to heighten the film’s philosophical core. “It’s like the audience knows,” Maltser said when discussing the feeling of entering the ring. “They all know the special secret…that wrestling is pure magic. It’s seeing superheroes.” As Maltser puts it, “Wrestling is about suspension of disbelief. Everyone wants to believe in something, even for just a few minutes,” a dynamic that plays out constantly in our entertainment-oriented, performance-captivated culture. Click here to learn more about the film via Q&A with director Taimi Arvidson via RSSMix.com Mix ID 8230553 http://ift.tt/2gJESjE There are two types of people on Instagram. The ones with meh feeds filled with far too many dog selfies and blurry shots of the #OOTD (outfit of the day)… AND the ones that stop you dead in your tracks mid-scroll and make you feel like you just received a postcard from an old friend -- with a story written especially for you. THESE are the types of perfectly curated feeds that turn you inside out with awe and maybe a sprinkle of jealousy (totally normal btw). Your eyes widen when you see a pic of your arch-nemesis with her perfectly tousled hair and artisan coffee blend in a hand painted mug. #WokeUpLikeThis And, before you know it, your traitorous finger has doubled-tapped that heart, just like everybody else. (How does *she* always have so many likes and comments when you can barely score a hundred on a good day?) Your engagement drops, comments trickle, and you end up feeling like a Loser with a capital L (← THE WORST). Lately, you’ve even caught yourself…
Now, here’s the thing (and there’s always a thing)… Every time Instagram’s algorithm changes, it also changes the way you show up in front of your ideal client. The drop in engagement is NOT because you aren’t putting in enough time. Au contraire! It’s NOT because your content isn’t great (I bet it is). And it’s definitely NOT because you’re boring (far from it). The rules of the game have simply changed. Then take a seat, friend, because things are about to get real up in here.
The new algorithm means whether you have 200 or 2,000 followers -- you can still rake in your dreamboat clients. I can’t wait to help you see results in way less time, so you can spend more time with your partner/babies/fur-babies/food-babies/Netflix. (And, accessing my best strategies will literally cost you zilch.) Save the date for our very own INSTAGRAM CHALLENGE!! I’ve paired everything I know about the ‘gram with the exact blueprint I followed to grow my following to 208,000+ engaged followers… I’M IN, JASMINE! I’M READY TO INCREASE MY INSTA ENGAGEMENT >>> via RSSMix.com Mix ID 8230553 http://ift.tt/2eyQXUj |
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