It can be difficult to know which camera you should buy, especially if you’re new to food photography. So, what is the best camera for food photography? The good news is that with so many cameras in so many price ranges, there are a variety of options available to suit... The post How to Choose the Best Camera for Food Photography appeared first on ExpertPhotography. via RSSMix.com Mix ID 8230553 https://ift.tt/2MIc3Dh
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Free Wedding Photography Presets
8/31/2018
Wedding photography is not for the faint-hearted. Running around, creating beautiful, unscripted shots off the cuff and ensuring you have the staple images can run you ragged. The last thing you want to do is spend even more time editing the images. Our wedding presets here are aimed at cutting... The post Free Wedding Photography Presets appeared first on ExpertPhotography. via RSSMix.com Mix ID 8230553 https://ift.tt/2PTB78g Architecture photography is a broad subject but it mostly refers to photos of buildings or similar structures. It plays a major role in the body of work of the street and travel photographer, making it an important skill to acquire. In this article we will discuss the basics of architecture... The post An In-Depth Guide to Nighttime Architecture Photography appeared first on ExpertPhotography. via RSSMix.com Mix ID 8230553 https://ift.tt/2C32slz Film making and photography go hand-in-hand. In film making, the art of cinematography is lost with photography. The skill to present moving images in such postcard-like material is in itself a direct descendant of the art of still-photography. If a photographer truly wants to improve his or her craft, they need to study how filmmakers and cinematographers captures moving images on the screen. Just as important is for still photographers to watch films that depict he art of photography through Hollywood’s eye and also visit the stories of celebrated photographers through documentaries. Here are 40 notable movies about photography every photographer should watch… in no particular order. 40 Movies About Photography –1. One Hour Photo (2002)A dark thriller featuring an inspired Robin Williams playing a Walmart one-hour photo clerk who ended up stalking a family whose pictures he regularly takes and develops. 2. High Art (1998)An independent art house film that is brooding, melancholy and beautifully shot. The film’s heroine, Radha Mitchell is a young intern at a small magazine that falls in love with a drug addicted lesbian photographer, Ally Sheedy. The two exploit each other to advance their careers. 3. Rear Window (1954)The main character, James Stewart, stars alongside Grace Kelly in this classic Hitchcock thriller about a wheelchair bound photographer who spies on his neighbors through the lens of his camera. In one of his voyeuristic episodes he is convinced he sees one of them commit a murder. 4. Closer (2004)Julia Roberts portrays a portrait photographer who gets entangled in a love triangle with the characters played by Jude Law and Clive Owen. Although the film only shows a little bit of the photography side, the film itself was wonderfully shot and gives an accurate depiction of the photography process. 5. Pecker (1998)A great movie with an indie feel that is heightened by the artistic genius of John Waters behind the camera. Weirdness galore aside, Edward Furlong delivers a great performance as the small town sandwich shop employee turned over night fine art photography sensation when he is discovered by a big city art dealer who leads him through the tongue-in-cheek world of fine art photography scene. 6. Blow-Up (1966)a 60’s film with a cult following status, this film follows Thomas a fashion photographer played by David Hemmings, who discovers he accidentally captured a murder on film in the background of one of the images while he’s developing it in the darkroom. 7. Proof (1991)A lesser known film from the pre-Gladiator career of Russell Crowe, whose character describes to a blind photographer (Hugo Weaving in his pre-Matrix role) the photos he had taken. Sounds like cliche, but the movie was wonderfully filmed and acted. 8. Under Fire (1983)Three journalists in a romantic triangle are involved in political intrigue during the last days of the corrupt Somozoa regime in Nicaragua before it falls to a popular revolution in 1979. Under Fire is a technically sound cinematic characterization of a wartime photojournalist played by Nick Nolte. 9. City of God (2002)This chilling portrayal of life growing up in the favelas and streets of Brazil shows two boys coming of age, one of them growing up to become a photographer. Not only considered as the best film about photography, it is also one of the best films to come out in recent years. 10. Gentleman’s Relish (2001)
In this hysterically high-spirited comedy set in early 20th-century London, frustrated artist Kingdom Swann, played by Billy Connolly, accepts a life-changing gift of a camera. Starting a new career in photography, he expresses his artistic aptitude in more unrestrained portraits of nudes in classical settings and thus subjects himself in the limelight of scornful notoriety! 11. Everlasting Moments (2008)A Swedish film about a woman who wins a camera in a wartime raffle. The lead character, played by Maria Heiskanen, develops a fascination with photography with which she struggles. However, her love of photography and decision to keep the camera ultimately changes her life. 12. Fur: An Imaginary Portrait of Diane Arbus (2006)Nicole Kidman stars in this biopic about the legendary American photographer Diane “Fur” Arbus. The film shows how a lonely and shy housewife in New York set out a journey into the world of photography shooting images of people that stand outside the confines of society. ![]() 13. The Secret Life of Walter Mitty (2013)Ben Stiller plays Walter Mitty, a negative assets manager at Life Magazine, who ended up with an adventure of a lifetime when he sets out to find Sean O’ Connell, played by Sean Penn. after negative #25, which O’Conell describes as the “quintessence of Life”, intended to be Life Magazine’s final issue cover goes missing. 14. Harrison’s Flowers (2000)Andie MacDowell stars as the wife of a missing photojournalist reported lost in the Yugoslavian civil war of 1991. She teams up with two other photographers, played by Brendan Gleeson and Adrien Brody, to help her find her missing husband. Documentary Movies About Photography15. Born into Brothels (2004)Two filmmakers travels to the brothels in Calcutta and gives child prostitutes cameras to shoot their everyday lives. The result is one inspiring and heartbreaking peek into their world which also resulted into having their pictures exhibited in a NYC gallery. 16. War Photographer (2001)An intimate look at the career of photojournalist James Nachtwey as he shoots his way into the horrors of world conflicts. Aside from the photography aspect of his job, viewers are taken inside the mind of Nachtwey as he searches in vain for the logic behind the brutality and cruelty of war. 17. The Mexican Suitcase (2011)In 2007, long lost and unseen photographs of Robert Capa and two other civil war photographers, David Seymour and Gerda Taro showed up mysteriously in Mexico City, filmmaker Trisha Ziff takes viewers to uncover its origin. 18. Annie Leibovitz “Life Through A Lens” (2008)Celebrated photographer Annie Leibovitz through the eyes of some of her well known subjects such as: Whoopi Goldberg, Kirsten Dunst, Kiera Knightly, Mick Jagger and more. 19. Guest of Cindy Sherman (2008)In this documentary the shy Cindy Sherman talks about being the master of disguise as brought about by her chameleon-like style of photography role playing and deliver an intimate look at her artistic methods. 20. Frames from the Edge: Helmut Newton (2009)Blurring the lines between pornography and photography, this film follows Helmut Newton and his provocative images to his favorite shooting locations of Paris, Monte Carlo, Los Angeles and Berlin. And the rest, but not the least, are; 21. Pictures from a Revolution22. Aaron Siskind: An Alternate Photographic Reality23. Strand: Under the Dark Cloth24. Masters of Photography – André Kertesz25. An American Journey: In Robert Frank’s Footsteps26. William Eggleston In the Real World27. The Adventure of Photography28. National Geographic – Search for the Afghan Girl29. Shooting Robert King30. Berenice Abbott: A View of the 20th Century31. Ansel Adams – A Documentary Film32. Peter Beard: Scrapbooks From Africa & Beyond33. The Genius of Photography – How Photography Has Changed Our Lives34. The Photographers Series: Debbie Fleming Caffery35. Henri Cartier-Bresson: The Impassioned Eye36. Tierney Gearon: The Mother Project37. Toward the Margin of Life38. American Masters – Richard Avedon: Darkness and Light39. American Masters – Alfred Stieglitz: The Eloquent Eye40. Half Past Autumn – The Life and Works of Gordon ParksThere you go, just 40 movies about photography that can only be the beginning of what we’re sure is a pretty long list. Regardless, these photography-related films and documentaries should definitely be on the list of movies for every photographer or photography lover to should watch. If we missed anything, let us know your favorite in the comments section below. Need more? You’re in luck! We’ve complied 20 more movies about photography that every photographer should watch. Oh, and if you like photography movies, you probably also like photography series. Check out these downloadable Netflix photography series every photographer should watch. The post 40 Movies About Photography Every Photographer Should Watch appeared first on Resource. via RSSMix.com Mix ID 8230553 https://ift.tt/2C4Lcwu Etiquette: Internship
8/30/2018
By Kenny Ulloa I Illustration by Claudia Madera “Starbucks run! Does anyone want anything?” says the intern girl, preparing for her simple midday task. Never Always
The post Etiquette: Internship appeared first on Resource. via RSSMix.com Mix ID 8230553 https://ift.tt/2wtPNTH Do you feel like you need a Netflix binge day, but you also want to stimulate your creativity? We’ve put together a list of the top 10 documentaries for photographers currently streaming on Netflix. These movies get into the heart of how pictures tell stories and they explore the passionate artists who create them.
1) An American Journey: In Robert Frank’s Footsteps In 1958, Swiss photographer Robert Frank created a landmark work of photography titled “The Americans.” This collection of 83 black and white photographs captured candid moments in the American experience during a journey across the U.S. In this documentary, film maker Philippe Séclier retraces this route and recaptures on digital video camera what Frank captured on film.
In 2007, three boxes arrived at the International Center of Photopraphy from Mexico City. Inside were the legendary lost Spanish Civil War negatives by photographer Robert Capa. This film tells the story of their recovery and the power of the tragic story they told.
3) Men at Lunch In 1932, an iconic photograph was taken of a group of construction workers enjoying a very dangerous lunch above the New York skyline. This photograph came to represent the American immigrant story and the Great depression. Director Seán Ó Cualáin set out to figure out the identities of these workers who came to represent so much.
New York Times photographer Bill Cunningham has been obsessively documenting the fashion world of New York City for decades. This film tells the story of both the work and character of a photographer driven by his passion.
5) Chevolution A single picture can have a huge cultural impact, and one of the greatest examples of this is the iconic image of Ernesto “Che” Guevara. This film examines how Cuban photographer Alberto Korda’s single shot of the revolutionary rose to become a social and political icon.
6) Time Zero: The Last Year of Polaroid Film As digital photography began to take over the world, the Polaroid Camera began to fade into history. In 2008, Polaroid announced that it would stop making its instant film and this documentary details the memories and emotions of Polaroid employees and photographers during the films final year of production.
This is a great profile of the controversial superstar paparazzo Ron Galella. It digs into the ethics of invasive Paparazzi and examines America’s absolute obsession with celebrity.
This acclaimed documentary focuses on Emad Burnat, a Palestinian farmer recording his life with various hand held video cameras. It offers a very unique view of life and non-violent resistance in a West Bank village during Israeli Occupation.
9) Filthy Gorgeous: The Bob Guccione Story Bob Guccione created a publishing empire and made millions with what was considered “smut.” The creator of Penthouse magazine created a First Amendment uproar that eventually went to the Supreme court. This biography examines his life, his rise to fame and his eventual downfall.
10) Objectified Every photographer has a keen eye for aesthetic and design and this film explores what makes every day items pleasing to the eye. The post 10 Documentaries Every Photographer Should Watch on Netflix appeared first on Resource. via RSSMix.com Mix ID 8230553 https://ift.tt/2Nzdd0h I am a full time travel photographer, for all intents and purposes. For the last five years, I have been spending half of the year out of my home in the United States, traveling across the oceans to document the adventures to be had in other countries and documenting the beauty of other cultures. The majority of this work is published right here on Resource Travel. But I also lead workshops for The Giving Lens, so I like to THINK I know what I am talking about when it comes to travel photography, at least that’s what some of my workshop team members have told me. But after the last couple of days, I am starting to question that. Why? Well there is a man named David DuChemin. He is a Canadian, so you know he is friendly. But in addition to being friendly, he is also one of the biggest influences in my photography career. Now, Mr. DuChemin doesn’t know this yet, but maybe if he reads this he will. It all started when I read his book ‘How to Feed a Starving Artist’. At the time, I was, in fact, a starving artist. Ok, well the slight beer belly I carried proved that I was NOT in fact starving, but I sure as hell didn’t know the first thing about how to get my photography business off of the ground. At the time, the book was as valuable to me as Bitcoin. It taught me about some important lessons that I put to use as I actually began to make photography not only my passion, but also my career. Fast forward a couple of years, and I felt myself falling into a creative slump. I was running in circles, not being able to harness my energy and creativity towards an end goal. That’s when DuChemin published ‘A Beautiful Anarchy.’ One Amazon reviewer called it the ‘Bible of Creativity,’ and that is 1000% accurate. It is a book I have read numerous times over, and, now that I am thinking about it, must read again. Anyway, back to what David DuChemin has to do with me questioning what I know about travel photography. This week, he launched his online mentorclass ‘The Traveling Lens’ on his Craft & Vision website. There are few people who can force me to sit down at a computer and watch videos and then read in depth lessons about what I just watched in order to try to become better at something, but David DuChemin is one of them. So I brewed up a fresh batch of coffee and put the Whisky on ice and went through the course. And, it changed me. After all of these years, it is still amazing to me that I can still learn so much. I wasn’t doing anything wrong before, per say, but this course opened my eyes as to what I can do BETTER. Once again, David DuChemin, from hundreds of miles away having never met me, had somehow reigned in my wandering creative mind and forced me to look at the bigger picture, while at the same time, forcing me to take a closer look. I am excited to share with you just a small sample of important lessons from this course that I either learned for the first time or re-learned with new eyes and ears. But this is just a small sample, and I am no David DuChemin. So if you have ever wanted to improve your visual storytelling, even if not ‘traveling’, I know this course will be valuable to you, so sign up today and improve your storytelling with me. Oh, and yeah, don’t put it off. Enrollment is only open for a week. Need even more incentive? That friendly Canadian is giving away a new camera and lens and a plane ticket to anywhere in the world to one lucky person who enrolls before September 4th. So read on, see what I learned, check out some of his beautiful photos from India, where the mentorclass was filmed. Below are some of my favorite quotes from Duchemin in the Traveling Lens mentorclass. This is just a SMALL sample. I had over 150 of his quotes in my notepad as I wrote this article. If you have ever read Duchemin’s books, you won’t be surprised as you know he is a master of inspirational and ‘ah ha!’ phrases.
This philosophy is a recurring theme in the class. And DuChemin makes sure to drive the point home in many ways. Go slow, develop a plan, (more on that later) and don’t scatter shot. I put this at the top of the list because it can relate to much of what is explained in the class. And is something I am horrible at. Being a ‘reactive’ travel photographer, I rarely go into a trip with a plan or a goal. Sure, it has worked for me. But am I really telling the BEST stories possible? Definitely not. I always had a feeling I wasn’t, but after taking this class, I am sure I can do better.
As DuChemin also explains, there is nothing wrong with the postcard shots. If that is all that you aim to do on a trip, then go for it . But this is a class that is catered to those who want to take their travel story telling to a higher level. And the stories aren’t in the postcards in the gift shops. Another quote he said that relates to this point: ‘The needs of the tourist (one who tours) are different from the needs of the photographer.’ You need to determine which one you want to be, and approach your travels in that way. It’s not easy (or as enjoyable) to be both.
Preach on Sir DuChemin! I am not a planner. As stated above, I am reactive. I get off the plane, and I react. All too often, I talk with photographers who invest so much time in the planning, only to have a couple things happen when they hit the ground. Nothing goes as planned, and the reality isn’t what their expectations were. Instead of rolling with the punches, they spend too much time trying to get back on track, and before you know it, the trip is over.
I learned this lesson the hard way. The one and only time I went to Europe was in 2009. A couple of friends and myself decided to see six countries in just under three weeks. And one of those countries was Ireland, where we planned a road trip around around the Ring of Kerry in addition to our time in Cork and Dublin. As you can imagine, we saw a lot in every country. Guess how much I remember? None of it. Why? Because we didn’t give ourselves the time needed to become engrained in the locations, the culture, the history. We literally ‘followed the plaques,’ took our snapshots, and moved on to the next country via airplane, which was another nightmare in itself. These days, like DuChemin, I get much more enjoyment (and much better photos) when I plant my flag.
This may be the most obvious quote in the bunch, yet, I bet no one ‘thought’ about it before hearing it. Photography is so much more than seeing the scene. You have to read the scene. Feel the vibes. Live in the moments. All of these aspects, and many more that DuChemin covers, help you ‘see’ better.
That’s right. Not composition. Not the ability to find and capture the right light. But courage. You have that perfect light…that amazing scene in front of you. But it’s missing something…or someone. What if you had an incredible face in the frame. Someone whose story you can tell through the portraits you take in these perfect conditions. Well, guess what. You aren’t going to find those interesting people who hold those enthralling stories without having the courage to put yourself out of your comfort zone and get to know the locals you might otherwise walk by as you angle your head down to the ground. How to approach the locals, how to keep them engaged, and most importantly, how to earn their respect, is all covered in depth in the mentorclass, and DeChemin nails it perfectly.
Once you have found that courage, learning how to connect with the people is an important part of the lessons, and for good reason. EVERY travel experience that I look back on with amazing memories stemmed from relationships that were established. Some of them have taken years and multiple trips to cultivate, while others happened over minutes in passing. But those connections would lead to amazing experiences that I can promise, very few other tourists ever had in those locations. DuChemin says it best: ‘Respect opens doors. Disrespect closes them and often locks them.’
This really needs no explanation. Read it again. And again. And again.
Have you heard of Humans of New York? I am assuming you have, because he is amazing. Why is he so amazing? He isn’t the most technically perfect photographer of all time. What he IS amazing at is his story telling. And how did he get the skills to be able to get some of the most sensitive and private information locked away in his subjects mind? By genuinely being curious about people’s stories. He didn’t fake it. In his early days, I imagine his curiosity came off in such a soft approach that his subjects felt comfortable with him. Over the years, he has continuously refined his skills, but there is one thing that hasn’t changed over the years. His genuine curiosity about the Humans of New York. And that is what makes him an amazing story teller.
DuChemin often talks about the ‘defensive’ posture of subjects that he sees in a lot of travel portraits from around the world. That is for good reason. Most photographers simply walk up to an interesting looking subject, ask to take their photo (some don’t even bother with this step) and then walk away. There is no comfort, no respect, and no real person in the resulting photo. It is simply a statue. Why? Because the photographer lacked one of the quoted traits (or even all three). I can fully attest to this in all of my travels. My most coveted portraits came from the subjects that I spent time with. The ones I got to know. The ones that respected me for not treating them like a painting in a museum. Learning how DuChemin achieves all three of these traits when he is taking portraits was one of my favorite and informative sections of the mentorclass. Even though I felt like I knew about this before, seeing it through his eyes inspired me and got me excited for my upcoming trips to Morocco and Jordan. Not just for the photos, but for the experiences of getting to know the people that will wind up in my viewfinder.
So you nail the courage to talk to a future subject, your curiosity makes them comfortable to open up to you, and you feel that they are respecting you for it. Don’t let that relationship crumble with your reaction to the impending awkward silence. It is bound to happen, especially if you do not speak the same language. A smile and a laugh are often just as loud as your words.
This came from another of my favorite parts of the course where DuChemin explains how to isolate your subjects. I never really thought about all of the different ways you can isolate the subject of a photograph. But there is a couple really creative ways that he explains perfectly. This is something I never really ‘practiced’ before, but it will be at the forefront of my mind on my future travels.
So you have learned how to isolate your subjects. But as DuChemin explains, ‘If I know the whole story the second I see the photo, my attention is gone.’ He goes on to explain how to leave a little mystery in your photos. Just enough to keep those viewers eyes glued to the screen and engaged.
Stop the train! David Duchemin just laid down the hammer! This is so spot on. We photographers hear that bad word, ‘cliche’, all the time. If George Carlin was a photographer, there would be 8 dirty words you can’t say, not 7. But as DuChemin goes on to explain, there is nothing cliche about a location or a look. But if you don’t get original, if you don’t think outside the box, if you don’t FEEL the scene and let that translate to your photographs, you will just come out with another cliche photograph.
If you follow National Geographic’s Ami Vitale, this quote will blow your mind. But then, you really think about her photos, and it’s obvious that everything she captures really comes from the heart. And that’s why it resonates so strongly with us the viewers.
No words needed. This quote perfectly sums up the overview of the lessons DuChemin teaches us in this mentorclass.
I never knew what a visual inventory was, and maybe it is a concept invented by Duchemin. In essence, what Duchemin drives home is that you are NOT going to photograph it all, so you need to begin taking a visual inventory as soon as you get off of the plane. You need to take note (physically, in a journal if possible) elements of the locations that draw in your imagination. This will help you properly channel your focus, instead of just aimlessly walking the streets ‘looking’ for something to photograph. The class has a much more in depth explanation and lesson planned molded around this concept that I can’t properly due justice, but I do know this is an insanely valuable lesson that I will be utilizing the second I get off of the plane in Morocco and Jordan this fall.
“One and Done is a myth.” Something I never thought about. Sure, I have gotten lucky with a photograph here and there with one take, but the majority of images I take have gone through a ‘trial and error’ system of a couple of ‘test’ photos taken before. But I didn’t really think through that process. I didn’t really realize WHAT I was looking for in my test photographs, but DuChemin explains his process of ‘sketch images’ in great detail. Before, I would think of these as failed images. But they are far from it. They are my sketch images, that are necessary in order to properly capture the final, refined piece of art.
This is something I am terrible at. DuChemin says ‘Pray and Spray’ no fewer than 20 times in the course, and there is a reason. He is trying to teach you to tell a story with your images, and good stories don’t come from the ‘Pray and Spray’ approach. Go grab a National Geographic and read any of the articles and ask yourself “Did that photographer ‘Pray and Spray?'” I can guarantee the answer is no. They followed the established theme. Obviously the overview is given to them when the assignment is given, but in this part of the course, DuChemin expertly teaches you how to be your own creative director AND how to convey that creative direction into a story, based on the theme that you have narrowed your work on site down to. How can you become even more focused on that theme? By setting up constraints. As DuChemin says, having too many choices is not a good thing. Oh, you have 4 different lenses to take that portrait with? Well while you shuffle through your camera bag looking through your options, the moment with your subject has passed. They are no longer loose and in the moment. This wouldn’t have happened if you set a constraint to only shoot this theme on one specific lens. The themes and constraints portions of the class were exemplary. They have made me rethink years of my approach to travel story telling. And I couldn’t be more excited to start implementing his lessons about themes and constraints in my future trips.
This is an issue I have long wrestled with myself about. I WANT to be a visual storyteller. And in a sense, I am through the original stories I tell on Resource Travel. But Instagram makes that same storytelling difficult. Not impossible. But difficult. So all to often, I am in a thinking about two different photos when I am traveling. What will work for Instagram, and what will work for the story. While my mind is trying to decipher how to accomplish both, I am losing the important connections and moments in unfolding in front of me. So what do I do? Well, to be honest, I have to stop giving a damn about what people on Instagram want to see. I should be posting what I want to see. The stories I want to tell. The amazing people I want to introduce to the world. And I shouldn’t care about how many people like it, or if I lose followers as a result of my storytelling. If that story resonates deeply with just one person who I make stop in their tracks and dive deeper into the experience, it is worth more than the 500 likes achieved from the frenetic scroll that is Instagram. And thanks to this incredible mentorclass from David DuChemin, I now have the courage and the knowledge to start telling the real travel stories that have meaning, emotion, and an everlasting effect on not just my viewers, but also on me. Thank you once again for lighting the path on my never-ending photography journey.
The post 20 Lessons David DuChemin Taught Me About Travel Photography appeared first on Resource. via RSSMix.com Mix ID 8230553 https://ift.tt/2om78t8 We live in a world where most things have been photographed millions of times. None more so than famous places or monuments. But that doesn’t mean that you can’t capture great or unique photos. To do so requires more work, planning and also sometimes a bit of luck. Here are... The post How to take Unique Photos of Famous Places appeared first on ExpertPhotography. via RSSMix.com Mix ID 8230553 https://ift.tt/2LFNL7B You have no doubt heard the terms ‘Full Frame’ or ‘Cropped Sensor’. They refer to the size of the sensor, with full frame mostly used by high-end DSLRs or mirrorless systems. Micro four thirds is also something that photographers have heard of, yet don’t always know its exact meaning. But... The post Everything You Need to Know About Micro Four Thirds appeared first on ExpertPhotography. via RSSMix.com Mix ID 8230553 https://ift.tt/2MzuTsl Here are some essential tips for photography artwork with more professional results. You can use these for paintings, prints, drawings, textiles, etc. Camera Choice and Settings A digital SLR with a fixed lens is the ultimate choice for quality. Compact cameras with manual controls are also useful. Even a high-end... The post How to Photograph Artwork: From Settings to Lighting Setups appeared first on ExpertPhotography. via RSSMix.com Mix ID 8230553 https://ift.tt/2LGXXga |
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