To the novice photographer taking his or her first landscape photos, it might not be immediately clear why filters for landscape photography are even necessary. Filters’ effects are often subtle and their benefits difficult to see for an amateur eye. To the seasoned landscape shooter, though, filters are considered almost... The post The Ultimate Guide to Filters for Landscape Photography appeared first on Expert Photography. via RSSMix.com Mix ID 8230553 http://ift.tt/2vLiNa2
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Few camera announcements have excited me like the release of the Fuji GFX 50S. I’ve loved what Fuji has been doing since the X100 came out, and this seemed like a camera that could really cover my needs as a working commercial photographer. Most of my work is focused on portraits and lifestyle and often goes to print. I shoot in fast paced situations and usually on location—outside on farms, industrial facilities, and other dirty environments—so to date my Fuji has largely been treated as a personal-use camera or second body for editorial shoots. This past June, I had the opportunity to travel out to northern Montana with a few other photographers to shoot some personal work, and I thought the trip would be a perfect opportunity to rent the GFX and test it out. We would be shooting on a few working ranches and some rodeos in the area, so I would get to put the camera through virtually every situation possible: low light, mixed lighting, dust, wind, hard sun, fast moving subjects, portraits, and landscapes. I only took the Fuji GF 32-64mm f/4 and an extra battery with me. I wanted to travel as light as possible and not have to worry about anything but shooting and enjoying my surroundings. In-UseI decided pick up the camera a couple days before I left for the trip, so I would have a chance to go through all the settings, and familiarize myself with the layout and feel of everything. Having used a lot of cameras from all of the major brands, I think the Fuji menu and camera customization options are some of the best out there and the GFX is definitely the cream of the Fuji crop. It didn’t take long to feel really comfortable with the camera, and making changes was very intuitive. The Fuji with the 32-64mm is a bit larger than a full-frame DLSR with a 27-70mm, but it was also lighter—a pretty equal trade off I would say. The viewfinder is also incredible. Hybrid viewfinders have probably been one of biggest single hold-ups for switching completely to mirrorless—the screen inside has also made me feel separated from my subject a bit, and just slightly behind enough that I don’t entirely trust the timing when I hit the shutter. But that’s not the case with this camera. The viewfinder is crisp, and seamlessly displays the subject that I quickly forgot about it, and really enjoyed the benefits that viewfinders bring over traditional DLSR cameras. Our first shoot was in the afternoon at a beautiful ranch, where several cowboys would be rounding up about 25 wild horses across a giant pasture. We had light cloud coverage and were surrounded by mountains. It was a perfect situation to really push the autofocus, and see how it tackled the drastic dynamic range of shadowy mountains, hard sun, dark horses, and soft yellow grass. As I began shooting, I was really amazed at how quickly the camera just really “got out of the way.” I rarely found myself getting frustrated with any aspect of the camera, and was blown away at the speed and accuracy of the auto focus system and the results I was seeing on the back of my camera. I shot everywhere from wide open at f/4 to closed down at f/32, and everything in between. The whole system works incredibly seamlessly and I felt like I was able to engage with the subject matter in a whole new way. The next morning, we headed back to the same location at 4 AM to get some pre-sunrise shots and see what else we could find. I decided to leave my tripod in the car and try hand-holding the camera at higher ISO’s. That lens only opens to f/4, so I had to start at ISO 3200 just to get a 1/60th shutter. After firing off a few frames and reviewing in camera at 100%, I was really excited to keep shooting. Normally at that ISO I would feel like most images are throwaway, but seeing how clean they were I was excited to go shoot more, when normally I probably would have just waited for more natural light. As the sun opened up, I quickly found myself shooting directly into it, tracking sprinting horses through the backlit dust. The autofocus was incredible, but in this moment I also found my first frustration with the camera: its viewfinder blackout. I was shooting in RAW with the fastest Sandisk UHS-I cards, so I’m sure that UHS-II might help that, but it only took about five frames for the camera to completely lock down for about three seconds while it dumped its buffer. That, compounded with the viewfinder blackout times, meant that after the first two frames I couldn’t see what I was actually shooting. Obviously this isn’t a sports camera and I was really pushing it here, but it would have been really nice for less viewfinder blackout time, even if the buffer was still slow. Fighting both at the same time was a bit frustrating, but again, this is something that might be fixable by either faster cards or even future firmware. At the end of the day I just had to be intentional with my bursts, and really do my best to anticipate subject movement. Sometimes it’s good to be constricted and forced to think differently. By the third day of shooting the honeymoon phase had worn off and I really began to look at the camera objectively. Thats not to say I wasn’t consistently impressed by the image quality or enjoyed using the camera any less, it just quickly became very natural to me in use, and the camera itself became less a focus of what I was doing, and just an incredible tool to shoot with. Aside from the previously mentioned viewfinder blackout, it would be hard for me fault the camera in any way. In real world use, I would definitely be comfortable using this camera daily for my work and I plan on making the switch within year. Its minor hiccups or slight differences compared to a traditional DSLR are totally outweighed by its overall design and image quality. Fuji’s lens roadmap shoes a telephoto prime happening in early 2018, and It would be nice to have something that is close to the 135-150mm equivalent focal length. The current longest lens is a 120mm, which equates to approximately an 85mm lens on a 35mm camera. The FilesI don’t think I’ve ever had so much fun working images in post as I have with the files from this camera. My photographer friends are probably beginning to hate me from all the images I keep sending them. Almost every shot is just fun to work with because of how easy it is to recover in an incorrect exposure, or push the images further than I have been able to before. I have been told that Fuji did a lot of work with Adobe to really dial in the colors in Lightroom, and I think it really shows. It handles highlight and shadow recovery incredibly well, and the ability to use all of Fuji’s in-camera profiles on Lightroom has been fantastic. The colors are excellent and the dynamic range is unbelievable. Forgive the non-technical lingo, but the images just feel organic—not like I’m trying to find the digital limits of an image, but just working with an image that has very natural limits it hits with fine graduations; not just hard fall-off or end points. The files are quite large… over twice the size of my 50 megapixel DSLR. It’s not a huge issue, but something to keep in mind when it comes to external storage solutions. Final ThoughtsI cant wait to permanently put this camera in my bag. As a full time shooter, the system isn’t vast enough to cover the majority of my needs, but that will quickly be changing. Having a manufacturer fragmented camera system doesn’t really interest me, so I will probably wait untill I can completely make the switch rather than split myself between this camera and a traditional DSLR system. Aside from that, I don’t believe there is a single major issue with this camera system. It’s a solid platform, and I think the tiny little hangups I encountered will be easily fixed with firmware—or would even forgotten if more time were spent with the camera. There is so much room for this system to grow, and it’s only going to get better and better. See more images from the trip below. via RSSMix.com Mix ID 8230553 http://ift.tt/2vgj5F0 Work. Sweat. Hustle. Did a fitness trainer or creative professional speak these words? OK, it’s a bit of a trick question, because the answer is both—and never has the underlying connection between fitness and creativity been more relevant to the creative frontier. Today, there is an unparalleled level of ambition, motivation and discipline necessary to conceive a creative career and transform a passion into a lifestyle. No longer can success rely solely on raw talent—to “make it,” creatives must live by their craft, overcome their weaknesses, and reach their goals through hard work, dedication and consistency. But this is far from a new development. For decades, this goal-driven mentality has shaped the fitness world, revolutionizing wellness and transforming it into one of the most influential cultural movements of today’s generation. To further explore the relationship between fitness and creativity, we brought together 16 fitness innovators across a variety of categories to discuss mindset, personal growth, and how their wellness journeys apply to your creative endeavors. Sometimes it’s not so much about the art but the practices you employ to create it. After all, it’s 2017, people, and the time to do what you love is now. So are you ready to get in shape? Let’s hit the gym, yo. Here are 16 fitness innovators who will transform you creatively, in no particular order. (For the full story, pick up a copy of the “Fitness Issue” of Resource Magazine in Barnes & Noble, on newsstands across the U.S. and Canada, in photo studios, or our online shop.) Bethany C. Meyers (@bethanycmeyers)Bethany C. Meyers has been teaching a variety of fitness methods for 10 years with a primary focus on the Megaformer workout. Her new company, be.come, will officially launch later this year. The workout is also being taught once a week at Studio B in NYC and will be brought to a new fitness space opening in Union Square in September, in addition to teaching private be.come exercises via the company’s app. Kira Stokes (@kirastokesfit)Kira Stokes is a New York City-based celebrity trainer and group fitness coach. Her signature program, The Stoked Method focuses on functional movement flow combining strength, cardiovascular conditioning, sports specific drills, barre, yoga and pilates. She is currently the celebrity brand partner for NYSC Lab in New York City and her workouts are featured at Bandier’s Studio B and streamed via Booya Fitness. Julian Devine (@juliandevine)Julian Devine grew up in Apple Valley, Minnesota, eventually moving to Chicago where he studied dance at Columbia College Chicago before accepting a scholarship at Lou Conte Dance Studio/Hubbard Street Dance Chicago. Today, he lives in NYC where he took his career to the next level, signing exclusively with Wilhelmina Models, teaching as a Schwinn Certified Spinning Instructor, and training and teaching boxing. Christine “Tine” Abramo (@christineabramo)Born and raised in Buffalo, New York, Christine “Tine” has always aspired to inspire. She displayed her athletic prowess as a collegiate lacrosse player and competitive runner, which translates into her fitness style. Upon graduating from Hobart and William Smith Colleges, she continued to crave the desire to lead, motivate and inspire and is currently a cycologist at Cyc Fitness, chief marketing officer at Stationhead, and women’s brand director at Wolaco. Charlie Himmelstein (@charliehimmelstein)Charlie Himmelstein is a former model and actor turned photographer who first gained notoriety as fighter in an underground boxing club called “Friday Night Throwdown.” Since then, he founded The9 Studios, a membership based photo studio business with seven locations throughout New York and Brooklyn. Holly Rilinger (@hollyrilinger)Holly Rilinger is the author of LIFTED, a Nike Master Trainer, Flywheel Sports Master Trainer, Creative Director at CYC Fitness, Certified Personal Trainer, Group X Instructor, and co-star on Bravo’s Work Out New York, a fitness reality show that follows the lives of seven top New York City fitness instructors. Rachel Kent (@rachelkentnyc)Rachel Kent is a New York-based, NYU Tisch grad who’s obsessed with comedy and powered by feminism. She’s excessively trained for everything on-stage and on-camera, with experience ranging from Amazon Prime series to Off-Broadway shows. Kent has also worked commercially as a fitness and fashion model, from New York Fashion Week to acting in KLM Royal Dutch Airlines web commercials. Ashley Guarrasi (@ashleyguarrasi)Ashley Guarrasi is a coach at Rumble Boxing gym, celebrity trainer and fitness model. She’s collaborated with active apparel brands such as Nike, Koral Activewear, Kali Active, and Michi New York, as well as worked with sports brands including Cleto Reyes, Throwdown MMA, and Torque Sports. Robin Arzon (@robinnyc)Robin Arzon is the New York Times best-selling author of Shut Up And Run and vice president of fitness programming and head Instructor at Peloton Cycle. When she’s not training for ultramarathons, she serves as a brand ambassador for some of the world’s top fitness brands, such as Adidas and formerly Nike. She also co-founded the print publication Undo Magazine, which combines sweat and fashion. Sarah Ballan (@sarah.ballan)Sarah Ballan, 24, graduated from LeHigh University in 2014 with a BA in english/psych and a creative writing double minor. She loves to write in her spare time and hopes to do something with it one day. After college she went into media buying at an agency, but quickly left to pursue a career in fitness. So far she’s successfully taught at two studios and has recently accepted an instructor position at Flywheel. Jesse Alexander (@ja__tapback22)Brooklyn born and bred, Jesse Alexander has a wealth of experience instructing at several well-known boutique fitness studios. With a previous career in massage therapy, Jesse’s enthusiasm and unique teaching style has made him a favorite within the indoor cycling industry. When he’s not teaching, you can find Jesse hanging out with his three roommates (AKA his wife and two kids) on the Upper East Side. Chinae Alexander (@chinaealexander)Chinae Alexander is an entrepreneur, lifestyle personality, writer, speaker, and wellness expert. Her message is to empower people to be better through positive thinking, active change, and self-love. When she’s not trying to change the world, you’ll find Chinae pondering if a runner’s high is actually a “thing” while enjoying a glass of Malbec and a nice salad. Rebecca Kennedy (@rksolidnyc)Rebecca Kennedy is a fitness expert, celebrity trainer, and former NFL cheerleader, USA gymnast, and professional dancer. She’s also a Wilhelmina fitness model and has worked with brands including Nike, Reebok, Under Armour, and has been featured in Runner’s World, Fitness Magazine, SELF Magazine, and more. Patrick Frost (@patrickfrost2)Patrick Frost, Master Instructor for both Barry’s Bootcamp and Nike Training Club, has flourished in the NYC fitness market for the past six years. He has personal-trained moms, athletes, celebrities, top models, as well as group-instructed hundreds of people at a time. This fall, the Georgia-native be moving to the Miami Beach to continue his work with Barry’s Bootcamp Miami and NTC. Emma Belluomo (@embelluomo)Originally from Southampton, New York, Emma Belluomo ditched her desk job and soon began teaching at Cyc Fitness. She was later scouted by IMAXShift to become a founding trainer for their first indoor cycling studio experience, in addition to working for the iconic barre brand Pop Physique. Most recently, she started at CycleBar and is currently based at their Fort Lee and Closter, NJ studios. Alex Gomez (@officialagomez)Alex Gomez, 26, is a personal trainer based in Williamsburg, Brooklyn. He’s performed as a dancer in various roles, such as live action/computer animated family comedy film, Alvin and the Chipmunks: The Road Chip, French Empire commercials, and more. Gomez is also an experienced fighter trained in Muay Thai, Brazilian Jui Jitsu and MMA. Visit the Resource Shop to pick up a copy of the “Fitness Issue” of Resource Magazine. This cover and feature was photographed by Natalie Brasington. via RSSMix.com Mix ID 8230553 http://ift.tt/2hH08q6 Taking control of your image files and the Lightroom catalog is fundamental to achieving a good workflow in the program. However, it’s not uncommon to come across people who have been using Lightroom for months or years without having a clue where their photos are actually located. Invariably, their filing... The post Understand The Lightroom Catalog System in 10 Minutes appeared first on Expert Photography. via RSSMix.com Mix ID 8230553 http://ift.tt/2vztIDQ A typical rookie mistake in photography is to let yourself focus so much on your subject that you loose the perception of what is around it. Sometimes you end up making photos where the background distracts from your subject; this article will teach you how to blur the background in... The post How to Easily Blur Photo Backgrounds in Lightroom appeared first on Expert Photography. via RSSMix.com Mix ID 8230553 http://ift.tt/2vDMQ3h As you may know if you’ve attempted landscape photography, not every image you capture is attractive and soul-stirring; even photographs of genuinely beautiful landscapes can end up dull and less than impressive if you can’t find the interest in the scene. The problem may be not lie with the place... The post Transform Your Landscape Photos with Dramatic Weather Photography appeared first on Expert Photography. via RSSMix.com Mix ID 8230553 http://ift.tt/2vakTQ5 ITS TIME TO BE A CONDUIT A CONNECTOR
8/6/2017
We waited to board the bus at 4am on a cold morning in Los Angeles. A long line of us stood in the parking structure, some shifted weight from one leg to the other, others stared blankly into their phones. A kid spun his suitcase around and around until his mom hissed for him to, “please STOP that, Matthew!” When the purple and yellow Quik Park bus arrived, the driver opened the side door and tired, cranky, in-desperate-need-of-coffee people dragged their luggage on board. On the short trip from the parking structure to Los Angeles International Airport, the bus driver regaled passengers with stories of his time in the mob, cracked terrible jokes, and insisted passengers mistook him for Tom Cruise all the time (standing at 6’4” and 325-pounds, we laughed along with him). When the bus arrived at LAX, the driver helped us with our luggage while people high-fived him, smiled, and waved as they departed. In less than 10 minutes, one person transformed a group of tired, frustrated, and stressed people into a group of passengers who saw each other, instead of staring into their phones. We became a group of people who laughed and connected in a real way. The bus driver? He was a conduit, a way for people to see strangers with more similarities than differences. As silly as it sounds, that bus driver gave me courage. Courage to show up and bring people together. I didn’t need a fancy studio, a legit mic, or high-budget cameras. Heck, that driver showed me what could be done in a bus at 4am, why couldn’t I do it from my living room? A few months ago, I made the committment to show up every Wednesday and host a live conversation on Facebook…and though I was nervous, uncomfortable, and sweaty in unmentionable crevices (TMI?), I did it anyway. What’s transpired is a group of people of show up and connect in real ways. And I couldn’t be prouder.
I hope we all find a way to bring people together, and focus on our ability to connect with people however best we can. Online or in a bus, we can make it happen. via RSSMix.com Mix ID 8230553 http://ift.tt/2hzIm8z Droptree Productions, a production company based in Portland, Oregon, recently uncovered a bit of the mystery behind what production crews do in their spare time on set. With access to equipment and exclusive locations, the Droptree crew spent two years creating a music video, all of which was shot on commercial sets “when the client wasn’t looking,” according to the video’s opening credits. Obviously, not all production crews shoot extensive 5-minute rap videos in the spare time, but it’s no question that the Droptree guys did it incredibly well. Throughout the music video, we get everything from questionable rhymes poking fun at the idiosyncrasies of #setlife to aerial shots to carefully choreographed dance skits, and quite literally, an explosive guitar solo. According to their description on Vimeo, the video was shot with the help of some key Droptree guys and others that they don’t want to risk “making culpable.” From a look at their website, the Droptree crew definitely has a talent for commercial productions that they employ with some less than conventional tactics. Their website displays their distaste for the boring and mundane. The homepage has a “modern” option or a “retro” option that allow you to either go through their website with slick looking information or a galaxy background with comic sans covering the page. Regardless of which browsing experience you choose, the video and the website are an intriguing look inside a production company that seems to operate outside the realm of normality. Still, it’s difficult to say whether this dope little video will be more likely to promote their company or lose a client or two. via RSSMix.com Mix ID 8230553 http://ift.tt/2uoM1XK There are few things in life I hate. Root canals. Puppy-kickers. Alarms clocks. But ranking on the top of the list is the word ROCKSTAR. I can’t stand that word. Often it’s attributed to someone who’s risen through the ranks or stands out in their career…but it also implies that the person who the title was thrusted upon actually wanted it. There are few people who wake up and say, “You know what? Today I want people to look at me with their lighters raised in the sky, and think I’m so awesome it brings tears to their eyes!” No, there are few people who think that. There are, however, people who wake up and understand their passion to create sets them apart. Their work ethic is strong. They don’t accept ‘no’ as an answer. Those people? Those people are sometimes called Rockstars, but they’re just doing what they must. They are releasing the dreams in their soul and bringing them to life. They aren’t Rockstars. Oh, friend, you are not a Rockstar. I am not a Rockstar. And I hope we never convince ourselves otherwise. Let’s keep our heads down, work hard, and create because we must. via RSSMix.com Mix ID 8230553 http://ift.tt/2u83YP6 Over the last few years, the video essay has become the favored tool of some of the internet’s most committed cinephiles. The following YouTube channels offer some of the best film analyses available on the web. If you’re a movie buff and a YouTube junkie (a common combination), prepare to blow a few days on these. 1. Every Frame a Painting
This YouTube channel is run by professional video editor Tony Zhou, who describes it as “dedicated to the analysis of film form. Pictures and sound all the way, baby.” Perhaps it’s partly that industrial expertise that gives his videos on Every Frame a Painting such a clear understanding of the more formal aspects in various film sequences. That invaluable grasp of film mechanics translates easily to anyone uninitiated in the audience, and even enriches the experience (as well as your future experiences with film). His high regard for cinema as a modern art form means every detail accorded is rightful and frequently fascinating. The beauty and ingenuity of cinema is on full display here. While many videos hone in on a particular director as a way to explore a style or narrative technique, some veer over towards offbeat topics. One video used the way Marvel soundtracks have failed to add anything to their movies as a starting point for a discussion of soundtracks in general. Another video focused on Zhou’s hometown, the City of Vancouver. As the third-biggest movie production city in North America, Vancover has masqueraded as dozens of other cities in numerous movies over the last few decades—a reality Zhou explored in this bemused video. From this channel, no quirk or trade secret of the movie industry is safe. Start with: “Edgar Wright – How to Do Visual Comedy,” “David Fincher – And the Other Way Is Wrong” 2. Lessons From the Screenplay
Doing justice to its name, Lessons From the Screenplay is an educational channel. The mild-voiced creator, Michael, attempts to use each video as an object lesson, exploring and explaining the narrative devices that TV shows like Game of Thrones and films like American Beauty and Gone Girl use to captivate audiences. In each video essay, Michael analyzes some of the most captivating scenes from a film or TV show of his choice, closely reading the script and onscreen action in an effort to break scenes down to their nuts and bolts, eventually doing the same for the dynamics at play in the larger work. He pays earnest attention to detail and refers frequently to books like Robert McKee’s Story and Syd Field’s Screenplay in an attempt to demystify and show aspiring writers and filmmakers (or just interested fans) how the craft of storytelling works on a basic level. In his recent Game of Thrones video, “Game of Thrones—How to Evoke Emotion,” Michael explains how dramatic tension in GoT revolves around what McKee calls “value transitions”—a seesawing between prompts that manipulate the audience’s expectations of pleasure and pain to up the emotional ante of any dramatic presentation, whether it’s an individual set piece like “The Battle of the Bastards,” or that terrifying first scene in Inglorious Bastards or a longer character arc, like the Stark clan’s long march toward the Red Wedding. Michael’s interest in the underlying principles of storytelling and drama—how they can be fine-tuned to great effect, or subverted in fascinating ways—makes this channel a must-watch for any screen-junkie. Start with: “Whiplash vs. Black Swan–The Anatomy of the Obsessed Artist,” “Inglorious Basterds—The Elements of Suspense.” 3. Now You See It
Self-proclaimed “a college film analysis class minus the lecture halls, essay assignments, and student loan debts,” Now You See It looks at cinema from a variety of angles, often combining insights from different stylistic or cultural perspectives. Rather than focusing the analyses on theme or style, they highlight the ways that the cinematic experience is shaped through carefully considered technical choices normally below your radar during a casual viewing—hence the channel’s title, “Now You See It.” This film-critic-as-forensic investigator approach is surprisingly engaging, as new facets of your favorite films and shows are revealed to you. Some videos explore the ways a storytelling device is employed--all the ways a movie can successfully break the fourth wall, for example—while some take a broad look at cinematic culture. There’s very few film channels on YouTube this comprehensive or snappily edited, or as fun to watch. The creator’s wry sense of humor is an added bonus–take this video, for example. Start with: “Movie Geometry – Shaping the Way You Think,” “British vs. American Comedy: What’s the Difference?” 4. Film Radar
Despite its modest viewership, this channel consistently provides quality videos that delve down into the emotional and psychological cores of the works that it features. Creator Daniel Netzel claims to “take notes from Nerdwriter and Lessons From the Screenplay,” and strives to provide the same high caliber of content—and in some ways, his approach combines elements from both. Ultimately, he’s a bit more similar to Nerdwriter than LFTS, as his videos often focus less on the process of storytelling than on the broad themes that these films explore. While his approach is not quite as precise or intellectually daring as his idols’, many of Netzel’s videos are poetic and fascinating tributes to films he regards as masterpieces. To the benefit of his viewers, these films usually prompt Netzel into profound, even moving discussions of how these works of entertainment relate to our own lives. His videos on the existential loneliness and beauty of Her (“Her and the Human Condition”), and on the many ancient metaphysical concepts visualized in The Matrix (“The Matrix—Perennial Philosophy”) are two perfect places to start enjoying this YouTuber’s artful work. Start with: “Her and the Human Condition,” “The Matrix—Perennial Philosophy” 5. CineFix
This popular film lovers’ channel is an all-round heavyweight. They put out a lot of content, which means a little bit of sifting is necessary to find the videos most worthy of your time. Many of CineFix’s best videos are their ranking videos, in which they list off a number of scenes, characters, shots, or films that distinguish themselves in terms of storytelling in some way. These videos are often titled pretty hyperbolically (examples include “Best Dialogue of all Time” and “10 Most Emotional Movies of All Time”), but they offer meticulously edited, propulsive, and dynamic analyses of key moments in film. If you’re a movie-lover looking for a quick fix, CineFix has you covered. Start with: “5 Brilliant Moments in Film,” “Top 10 Favorite Rule-Breaking Films” Honorable Mentions:
Probably the most mysterious channel on this list, this YouTuber has only uploaded one video, nine months ago. The video, “Taxi Driver A Study in Masculinity and Existentialism,” is a tightly edited minor masterpiece of concise, searing analysis on one of the most important and disturbing films of the Seventies (an era known for its important disturbing films). Considering the engaging quality and depth of thought evident in the video, it’s strange that the channel has been silent since.
I’ve already featured the work of Lewis Crisswell in previous articles, but this guy is the end-all, be-all of art film commentators currently on YouTube. Want to know more about that obscure Russian director your friend keeps raving about? A 20-minute reflection on David Lynch sound up your alley? Crisswell’s your guy. via RSSMix.com Mix ID 8230553 http://ift.tt/2vjmQdu
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